The Bachelor of Arts in Film, Television, and New Media Production (BAFTNMP) is a forward-thinking and immersive four-year undergraduate program designed to develop creative storytellers and skilled media professionals. Blending theory with practice, the course offers a strong foundation in the art and craft of filmmaking, television production, and emerging digital media platforms. Students will gain hands-on experience in scriptwriting, directing, cinematography, editing, and content creation, while also exploring critical media studies and industry trends. This program prepares graduates to thrive in a wide range of media careers, including film, television, advertising, digital content, public relations, and multimedia journalism.
PO1: Demonstrate the ability to develop original ideas and translate them into compelling visual narratives across various media formats.
PO2: Acquire hands-on expertise in cinematography, editing, sound design, and production workflows using industry-standard software and equipment.
PO3: Write, structure, and revise scripts for film, television, and digital platforms, demonstrating a strong grasp of story arcs, character development, and genre conventions.
PO4: Apply principles of direction, mise-en-scène, and visual composition to guide the creative vision of media projects.
PO5: Critically evaluate media texts using theoretical and historical frameworks, recognizing their aesthetic, cultural, political, and social dimensions.
PO6: Express ideas clearly and persuasively through verbal, written, and visual communication tailored to diverse audiences and media formats.
PO7: Conduct research and develop documentation for pre-production, production, and post-production processes in alignment with industry practices.
PO8: Work effectively in teams, taking on various roles and responsibilities in collaborative production environments.
PO9: Respond to rapidly changing media trends and technologies with creativity, flexibility, and a willingness to experiment.
PO10: Understand media ethics, copyright laws, and professional conduct, producing content that reflects social responsibility and cultural sensitivity.
PO11: Analyze the impact of globalization and localization on media production and consumption, recognizing the diversity of audiences and narratives.
PO12: Demonstrate fluency in new media tools, platforms, and strategies for online content creation, distribution, and audience engagement.
PO13: Apply entrepreneurial skills to initiate and manage independent media projects or ventures in the creative industries.
PO14: Curate a professional portfolio that showcases a range of creative and technical abilities suitable for careers or further study
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DGMC is a premier media and communications institute with a state-of-the-art infrastructure, where students, researchers and media professionals interact to facilitate dynamic career paths. It is supported by its parent body RSET which has been in the field of education for over seven decades. DGMC provides courses on Communication and Filmmaking at undergraduate and postgraduate levels, and offers autonomous Postgraduate Programs (PGP) in various verticals of the media such as Integrated Marketing, Advertising and Communications; Event Management;
RSET Campus
S V Road, Malad (west),
Mumbai 400064, Maharashtra,
INDIA
Email Your Queries to:
info@dgmcms.org.in
Contact us at
+91 900 444 4091 / 92 / 022-4507722
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But I must explain to you how all this mistaken idea of denouncing pleasure and praising pain was born and I will give you a complete account of the system, and expound the actual teachings of the great explorer of the truth, the master-builder of human happiness. No one rejects, dislikes, or avoids pleasure itself, because it is pleasure, but because those who do not know how to pursue pleasure rationally encounter consequences that are extremely painful. Nor again is there anyone who loves or pursues or desires to obtain pain of itself, because it is pain, but because occasionally circumstances occur in which toil and pain can procure him some great pleasure. To take a trivial example, which of us ever undertakes laborious physical exercise, except to obtain some advantage from it? But who has any right to find fault with a man who chooses to enjoy a pleasure that has no annoying consequences
